Stephan Moore is a sound artist working at the intersection of performance and technology. His creative work is primarily concerned with the creation and perception of sonic environments, encompassing practices in field recording, physical programming, studio production, audio spatialization, loudspeaker construction and interactive software design, which manifests as sound installations, sound designs and scores for dance and theater productions, solo and group performance works and improvisations, generative compositions, and recordings. As a musician and sound engineer, he toured with the Merce Cunningham Dance company from 2004 to 2010. He was given a 2010 New York Dance and Performance “Bessie” Award for his score to choreographer Yanira Castro’s Dark Horse/Black Forest, and a 2013 nomination for his score to The People To Come. He is a past president of the American Society for Acoustic Ecology, and the curator of Sonic Innovations, an annual exhibition of outdoor sound art at the Caramoor Center for Music and the Arts. Moore holds an MFA in Electronic Art from Rensselaer Polytechnic Institute and a Ph.D in Electronic Music and Multimedia Composition from Brown University. He joined the Department of Radio, Television and Film at Northwestern University in 2015.