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Northwestern School of Communication

Roger Ellis

(they/he)
Assistant Professor
Ellis directs experimental theatre and film projects exploring post-traumatic growth, identity, and the digital. Following a pre-pandemic run in Steppenwolf Theatre Company's LookOut Series, Ellis adapted the musical into an award-winning film, screened at the Pan African Film and Arts Festival, Melbourne Lift-Off Film Festival, and San Francisco's Decibels Music Film Festival.

Department

Theatre

Area(s) of Expertise

Acting, Directing, Movement, Musical Theatre
Roger Ellis

Roger Ellis (he/they) is a director who works across screen and stage. Recent projects include the docu-musical Happy Songs About Unhappy Things (co-director), Natasha, Pierre and the Great Comet of 1812 at Writers Theatre (associate director), and the documentary Emergency Contact (director). 

Professor Ellis directed Nikki Lynette’s afrogoth musical Get Out Alive (Steppenwolf, National Alliance for Musical Theatre, film adaptation). Ellis’ film work has screened internationally at festivals such as Black Harvest (Gene Siskel Center), Melbourne Lift-off (Australia), School of Sound (London, UK), San Francisco IndieFest’s Decibels Music Film Festival, African Diaspora International Film Festival (NYC), and Pan African Arts and Film Festival (Los Angeles). Other stage work includes Ephemera by Deborah Black, Sophia Treanor, and Mary Overlie (Dancer - Clurman MAD series at Stella Adler NYC), The Curious Incident of the Dog in the Night-Time (movement director - Horizon Theatre/Aurora Theatre), and AntigoneNOW (movement designer - Cairo International Festival for Experimental Theatre). Roger has worked across the US with Writers Theatre, Sacramento Music Circus, American Music Theatre Project, California Center for the Arts, Lyric Theatre of Oklahoma, Tuacahn Center for the Arts, Paramount Theatre, and San Diego Repertory. 

Ellis’ research in contemporary theatre explores the interplay between the synthetic and somatic through the mixed reality of Black-queer experience. The conceptual grit of Ellis’ work is anchored in xenoqueer and xenofeminist theory. Ellis has undergone extensive study with Fay Simpson (Lucid Body), Stephen Wangh (Acrobat of the Heart, Grotowski), Mary Overlie, Deborah Black, Sophia Treanor (Six Viewpoints, Hamilton Technique), Wendell Beavers (Developmental Movement), and Erika Berland (Experiential Anatomy). MFA San Diego State University; BA Oklahoma City University; and certified Lucid Body Teacher.

Ellis is an Assistant Professor in the Department of Theatre at Northwestern University, where they teach courses in movement, music theatre, physical theatre, and directing for the musical. Ellis serves as the coordinator of the movement area for Northwestern’s MFA Acting Program.  

Professor Ellis is a member of Actors’ Equity Association (AEA), Stage Directors and Choreographers Society (SDC), and National Alliance of Acting Teachers (NAAT).