Skip to main content
Northwestern School of Communication

Heather Hendershot

(She/Her/Hers)
Professor; Cardiss Collins Professor of Communication Studies and Journalism
Professor Hendershot researches American film, television, and political culture, focusing on the 1960s-70s. She has published books on both mainstream network news and on conservative and right-wing media. Her latest work centers on journalistic coverage of the Chicago 1968 Democratic National Convention. Her essays have appeared in the Nation, the Washington Post, The Conversation, and Politico.

Department

Communication Studies

Area(s) of Expertise

Cinema-Film, Journalism Industry, Media analysis, Television
Heather Hendershot

Heather Hendershot studies TV news, conservative media, political movements, and American film and television history. Her courses emphasize the interplay between creative, political, technical, and regulatory concerns, and how those concerns affect what we see on the screen (big or little).

Her recent book, When the News Broke: Chicago 1968 and the Polarizing of America, received an award from the Pattis Family Foundation/Newberry Library, was praised in the New York Review of Books, and in February 2023 was chosen as a “Best Book” by the New Yorker. Earlier books include Open to Debate: How William F. Buckley Put Liberal America on the Firing Line (2016) and What’s Fair on the Air? Cold War Right-Wing Broadcasting and the Public Interest (2011). She began her career with a research focus on children’s television and conservative evangelical media. 

Although most of her publications center on broadcast media, Hendershot is also an expert on Hollywood cinema of the 1950s–70s and has written on Roger Corman's work as well as on films such as Dog Day Afternoon, Creature from the Black Lagoon, and Nashville. 

Prof. Hendershot has held fellowships at Princeton University, the Nieman Foundation and Radcliffe Institute for Advanced Study (both at Harvard), New York University, Stanford University, and Vassar College. She has also been a Guggenheim fellow, and for five years she was editor of Cinema Journal (now JCMS), the official publication of the Society for Cinema and Media Studies. 

Education

  • PhD, English (Film Program), University of Rochester
  • MA, English (Film Program), University of Rochester
  • BA, French and Film Studies, Yale University

Selected Publications

  • Nashville (BFI Film Classics series, Bloomsbury, 2025)
  • When the News Broke: Chicago 1968 and the Polarizing of America (University of Chicago Press, 2022); Audiobook (unabridged), Tantor Media, 2023
  • Open to Debate: How William F. Buckley Put Liberal America on the Firing Line (HarperCollins, 2016); Audiobook (unabridged), Blackstone Audio, Inc., 2016
  • What’s Fair on the Air? Cold War Right-Wing Broadcasting and the Public Interest (University of Chicago Press, 2011)
  • Shaking the World for Jesus: Media and Conservative Evangelical Culture (University of Chicago Press, 2004); Turkish translation: Salyangoz Publishing, 2006

Fellowships

  • Stanford Humanities Center, Stanford University, 2019–2020
  • Knight Visiting Nieman Fellow, Nieman Foundation, Harvard University, July 2019
  • Radcliffe Institute for Advanced Study Fellow, Harvard University, 2014–2015
  • John Simon Guggenheim Memorial Foundation Fellow, 2009–2010
  • Anschutz Distinguished Fellow in American Studies, American Studies Program/History Dept., Princeton University, fall 2007
  • Senior Research Scholar, Center for Religion and Media, New York University, 2004–2005
  • Shelby Cullom Davis Center for Historical Studies, Princeton University, 2000–2001
  • Henry Luce Postdoctoral Fellow in Cinema, Literacy, and Culture, Vassar College, 1995–1996