Dotun Ayobade (he, his, him) holds a joint appointment as an Assistant Professor in Performance Studies and African American Studies. He studies how embodied forms of popular culture shape the meaning of community, justice, and activism in late twentieth century West Africa. Ayobade attends to how West Africans activate aesthetic and everyday social performance to shape their lived realities, forge belonging, and declare being within the political economy of contemporary African societies. His work considers the function of embodiment in and across a range of cultural forms—i.e., dance, theatre, sound, material culture, performance art and photography—alongside the multiple significations of the aestheticized body in contemporary Nigeria: as an archive of collective desires and underexplored histories, as a fodder for subversive worldmaking, and as a space for rearticulating meaning and possibility between Africa and the African diaspora. His work sits at the intersections of Dance and Performance Studies, African and African Diaspora Studies, Gender Studies, and Popular Cultural and Postcolonial Studies.
Ayobade is currently working on the first book-length study of the storied lives of Nigeria’s Afrobeat Queens, an iconic collective of women that gave potency to the activism of famed Nigerian musician, Fela Kuti. Provisionally entitled Queens of Afrobeat: Women, Play, and the Making of Fela Kuti’s Music Subculture, this work examines how the women of Afrobeat fashioned performance strategies to negotiate agency and visibility when confronted with military dictatorship and social rebuke. The Queens have been viewed in rather polarized fashion: as figures of Pan-African beauty and strength, or as victims/cyphers of Fela’s eccentric mode of activism. Ayobade argues that these constructions stifle a nuanced and well-contextualized exploration of the joys, motivations, suffering, and perennial struggles, alongside, because of and beyond Fela Kuti. The Afrobeat Queens weaves together narratives of the women’s emergence as figures of cultural, ideological and moral interest, beginning in the early 1970s, with the gendered pathologies of postcolonial life in Nigeria. Now under contract with Indiana University Press, this research earned Ayobade the University of Texas at Austin’s Graduate School Named/Endowed Continuing Fellowship (2014-2015) and Brown University’s Salomon Faculty Research Award.
Ayobade’s most recent writing “Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic” is published in the Dance Research Journal. This essay explores sonic embodiment in the musical, scriptive and affective transaction between Nigerian musicians and their listening publics. Ayobade’s writing has appeared in Journal of African Cultural Studies, Art Africa, Africa Today, in edited book volumes and in other public fora, including Africa is a Country.
- Performing Africa
- Africans and African Americans: Cultural Entanglements
- Analysis and Performance of Texts