Lori D Barcliff Baptista
Lori D Barcliff Baptista is the Associate Dean for Undergraduate Programs and Advising and Senior Lecturer in the Department of Performance Studies. Her portfolio includes the School of Communication Office of Undergraduate Programs Student Resource Center and Academic Advisors. She researches how members of marginalized communities attempt to make sense of and negotiate their places in the world through seemingly mundane everyday objects, and teaches courses that explore food as a performance medium, the analysis and performance of literature, performance theory, performance ethnography, participatory action research methods, pedagogy, social art practices, curation and spectatorship.
Her most recent project, Afro-Geographies, is the product of a number of academic and creative collaborations that show and tell how Black cultural identity is constantly formed and reformed by individuals who attempt to reconcile their encounters with often conflicting histories, sources, experiences, encounters, traditions, allusions and desires. Upcoming projects include: Being Useful: Participatory Action Research, Placemaking and Social Practice, which offers an assessment of several Chicago area community curated arts projects, and Pedagogy Fails, a collaborative project which explores the pedagogical value of moments of embodied tension, conflict and revolt in the Theatre and Performance Studies classroom.
PhD, Performance Studies, Northwestern University
MA, Liberal Studies, Rutgers, the State University of New Jersey
BA, Sociology, University of California – Berkeley
Selected Creative Work
The Worms Did Not Die on the Street, Performance ethnography adapted for MPAACT’s “100 Acts of Resistance” Chicago, IL Feb 2018
it ain’t where you’re from/it’s where you’re at solo exhibit featuring photographs and mixed-media representations of black diaspora travels and intersections. UIC African-American Cultural Center Gallery Jun – Sept 2018
Member of Chicago Cultural Alliance project curatorial team for Rites of Passage: Chinese-American and Ethiopian-American traditions around Birth, Marriage, Longevity, and Death, Chinese American Museum of Chicago, May-Sept 2015; African-American Cultural Center Gallery Oct-Dec 2015
The Reason Why the Colored American is NOT in the World’s Columbian Exposition, Exhibition co-curated with Kay McCrimon; exhibit designed by Pam Rice, African-American Cultural Center Gallery Jun–Dec 2013; Bronzeville Visitors Center, Chicago. IL, June 2014-15
“Locked Away But Not Defeated: African-American Women Performing Resilience,” in The Routledge Companion to African American Theatre and Performance, Kathy A. Perkins, Sandra L. Richards, Renee Alexander Craft and Thomas F. DeFrantz eds., 2018
“Reflections on UrBs in Horto: A Community Curated Exhibition,” In Configurations in Motion: Performance Curation and Communities of Color. SLIPPAGE: Performance, Culture, Technology. Duke University, Durham, NC, August 2016
“Images of the Virgin in Portuguese Art at the Newark Museum.” In Fashioning Ethnic Culture: Portuguese -American Communities Along the Eastern Seaboard. Massachusetts: UMass, Dartmouth June 2009
“Peixe, Patria e Possibilidades Portuguesas: Fish, Homeland and Portuguese Possibilities” Text and Performance Quarterly special issue on food and performance, January 2009